Best Mics For Hi-Hats: Choosing The Right One For Your Kit (2024)

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Best Mics For Hi-Hats: Choosing The Right One For Your Kit (9)

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (10)

audiosorcerer

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April 1, 2024

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Last Updated on April 1, 2024

The hi-hat is an integral part of any drum set, providing a rhythmic backbone that can vary from subtle nuances to a driving force. Capturing it accurately is paramount for both live performances and studio recordings. This brings us to the quest for the perfect hi-hat mic. Read on to learn about our top 5 picks!

Included in this guide:

ImageProductFeaturesPrice

Best Overall

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (11)

Neumann KM 184 Cardioid Small-Diaphragm Condenser Microphone

  • Cardioid polar pattern
  • Small diaphragm design
  • Wide frequency response range

4.7

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Runner-up

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (12)

Shure SM81 Small-Diaphragm Condenser Microphone

  • -10dB pad for recording loud sources
  • Low self-noise and distortion
  • Sturdy and durable steel construction

4.8

Check Price

Top Pick

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (13)

Beyerdynamic M 201 Hypercardioid Dynamic Instrument Microphone

  • Hypercardioid polar pattern
  • Onboard hum compensation coil
  • 40Hz to 18,000Hz frequency response

4.5

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Top Pick

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (14)

Audio-Technica AT4041 Small-Diaphragm Condenser Microphone

  • Cardioid polar pattern for focused sound capture
  • Low self-noise and high SPL capability
  • Switchable high-pass filter and sturdy turned-brass housing

5

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Lowest Price

Best Mics For Hi-Hats: Choosing The Right One For Your Kit (15)

Sennheiser e 614 Small-Diaphragm Condenser Microphone

  • Super-cardioid polar pattern
  • High SPL handling for loud sources
  • Microphone pouch and MZQ 100 microphone clip included

4.5

Check Price

Related Article: The Best Drum Sticks Of 2024: Find Your Perfect Match

The Top 5 Best Mics For Hi-Hats

The Neumann KM 184 cardioid small-diaphragm condenser microphone is our top recommendation for miking hi-hats. It’s a fantastic microphone that has gained popularity for its exceptional audio quality and versatility.

Despite being one of the smallest mics out there, the KM 184 provides outstanding sound clarity with the lowest self-noise. Moreover, it has quite the durable build that Neumann products are known for.

With a wide frequency response, the KM 184 mic is capable of capturing both high and low frequencies accurately. Plus, it can handle high sound pressures (up to 138 dB SPL). As such, the loudest hi-hats are a breeze for it.

Pros

  • The mic’s low self-noise ensures clear recordings, even in quiet situations.
  • It’s a highly versatile mic that can excel in many applications, from hi-hats to acoustic guitars and percussions.
  • It features a robust build quality, withstanding the demands of professional settings.

Cons

  • It’s a bit expensive compared to some other decent mic options.

The Shure SM81 small-diaphragm condenser is a versatile and reliable mic designed to capture the tiniest sound details. With its cardioid polar pattern, this mic is precise in isolating the source and minimizing unwanted background noise coming from the rest of your drum set.

Primarily, the mic’s frequency response spans from 20Hz to 20kHz. This guarantees accurate reproduction and stunning clarity when recording hi-hats. Moreover, its durability (despite being a condenser type) allows it to withstand use in both live performances and recording studios.

On top of that, the Shure SM81 mic has a switchable low-frequency response. Such a feature allows you to adjust the microphone settings according to different recording situations. Giving you a choice of flat, six, or 18 dB roll-off, this mic makes a perfect tool for working with hi-hats.

Pros

  • It’s a highly versatile mic suitable for recording hi-hats with superb clarity.
  • It has a rugged steel build that maximizes its durability.
  • It features low self-noise and high overdrive protection.

Cons

  • It can be a little too pricey for those on a tight budget (not for the features it offers though).

Designed with a hypercardioid polar pattern, the Beyerdynamic M 201 mic features precise sound capture. Using it, you can record your hi-hat with exceptional clarity while rejecting unwanted noise from the sides and rear.

As such, it guarantees a crisp representation of every hi-hat hit without interference from surrounding instruments.

Furthermore, its compact design and durable construction allow for versatility in placements as well as use. This makes it a reliable choice for drummers who need a mic that can keep up with their beats.

Pros

  • The wide frequency response and noise sensitivity enhance the mic’s sound reproduction capabilities.
  • The inclusion of an internal hum compensation coil minimizes electromagnetic interference (EMI), making it adaptable for any recording scenario.
  • It provides a fantastic transient response due to its Hostaphan diaphragm.

Cons

  • As with most dynamic mics, capturing quieter sources may require the help of a decent preamp.

For an outstanding dynamic rangewhen recording hi-hats, the Audio-Technica AT4041 small-diaphragm condenser mic is the perfect choice. It captures the crispiest sounds while minimizing ambient noise thanks to its cardioid polar pattern.

The small diaphragm design is what makes this mic work excellently with hi-hats, offering an unmatched transient response. In addition, its wide frequency response ensures clear sound-capturing capabilities.

So, whether you’re a drummer or a recording engineer, the Audio-Technica AT4041 is what you need. Not only does it perform greatly inside the studio, but it also excels in other settings.

Pros

  • The switchable high pass filter provides additional flexibility in adjusting the mic’s response for maximum adaptability.
  • It has high sound pressure level (SPL) capabilities to capture the most dynamic hi-hat performances precisely.
  • The turned-brass housing ensures durability, making the mic suitable for all the different applications.

Cons

  • No significant drawbacks to mention here.

Sennheiser is a company famous for crafting quality products at affordable price points. As for the e 614 small-diaphragm condenser microphone, it’s no exception. For a cymbal mic on the lower end of the price range, this is the real deal.

Specifically built for overhead applications, its super cardioid pattern ensures precise sound capture from the hi-hats while eliminating ambient noise. Moreover, the small-diaphragm condenser allows for accurately reproducing transient details.

On top of that, the mic’s high SPL handling capabilities allow it to capture the dynamic range of hi-hats. From the subtle taps to the more dynamic crashes, it does this without introducing distortion. Overall, it’s a versatile mic, whether in a studio or on the stage.

Pros

  • It offers excellent value for its price.
  • The compact design makes the mic easy to position around hi-hats, allowing for optimal sound capture.
  • Suitable for both overhead and hi-hat applications, making it a highly flexible choice.

Cons

  • It may have limited additional features compared to other mics in the same price range.

Related Article: The Top 5 Best Drum Mic Kits Of 2024

Frequently Asked Questions (FAQs)

What’s the ideal number of hi-hat mics I should use?

In most setups, one hi-hat mic works well. Yet, you can use two mics for more detailed emphasis on the sound of your hi-hats (preferably one above and one underneath).

What type of mic is best for hi-hats?

A mic with a small diaphragm condenser is often a better choice. That’s due to its ability to capture transient details and provide clarity. That said, dynamic mics with a suitable frequency response also work well.

How should I position the hi-hat mic?

To capture the best balance of brightness and details, try to place your mic near the edge of your hi-hats (five to ten centimeters above the top cymbal). Additionally, ensure that the mic is facing away from the snare drum to avoid unwanted noises.

What features should I look for in a hi-hat mic?

Look for mics with high SPL handling, fast transient response, and a decent frequency response. Furthermore, versatility, durability, and ease of positioning are also important.

How does the polar pattern affect hi-hat miking?

A cardioid or supercardioid polar pattern mic allows for focused sound capture from the front. At the same time, it minimizes interference from sounds of other drum components coming from the sides or rear.

Product Recap

Concluding the best mics for hi-hats, the Neumann KM 184 delivers unmatched precision, making it our top choice. As a solid runner-up, the Shure SM81 combines durability with amazing sounds. That said, if you’re looking for value without compromise, the Sennheiser e 614 should be your go-to choice.

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Audio-Technica, Beyerdynamic, Hi-Hat, Neumann, Review, Sennheiser, Shure

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Best Mics For Hi-Hats: Choosing The Right One For Your Kit (2024)

FAQs

Best Mics For Hi-Hats: Choosing The Right One For Your Kit? ›

Concluding the best mics for hi-hats, the Neumann KM 184 delivers unmatched precision, making it our top choice. As a solid runner-up, the Shure SM81 combines durability with amazing sounds. That said, if you're looking for value without compromise, the Sennheiser e 614 should be your go-to choice.

What mic to use on a hi-hat? ›

Our Pick for the Best Microphone for Hi-Hats: AKG Perception 170 Professional Instrumental Microphone. The AKG P170 is one of the best microphones for hi-hats from an all-around standpoint. It's very affordable, it's rugged and won't fail from one accidental stick smack, it sounds great, and it has a -20 dB pad.

Is SM57 good for hi-hats? ›

Hi-Hats. Many engineers opt to use a small condenser mic on hi-hats, but the SM57 does just fine too. As a dynamic mic, it can handle the loud, harsh sounds of hi-hats. Place the mic about three inches above the hi-hats.

Should the mic be on top or bottom of hi-hat? ›

Hi-hat mic placement

Position your microphone at an angle where you can't see the snare drum and place the microphone 5-10 cm from the top of the hi-hat cymbal. In this way you will minimize the pickup of bleed from the snare and the rest of the drum kit.

What type of microphone is typically used for high hat cymbals and cymbal overheads in the recording studio? ›

Use condenser mics, preferably a large diaphragm, though a small diaphragm will work fine as well. If no condensers are available, dynamic or ribbon mics will be fine.

Do you really need a hi-hat mic? ›

While it is true that a hi hat mic may be unnecessary, what with modern overhead miking combined with drummers that bash their hats, a crisp distinct channel of just hi hats can also really give the drum set some presence in the mix – especially in verses.

Should I get SM57 or 58? ›

In summary, the SM58 is better suited and designed for vocal applications. It's the industry-standard live vocal microphone. The Shure SM57 is used for high transient sounds like snares, guitar cabs and brass. It's the industry standard guitar cabinet microphone that can also be used on vocals.

What is the best placement for a hi-hat mic? ›

Positioning the mic on the outside edge of the hi-hat helps isolate the mic from the rest of the kit while keeping it out of the drummer's way. Just be sure the mic is high enough not to obstruct the cymbal when it's open.

Should hi-hats be left or right panning? ›

If you are going to pan it off-center, the hat (and snare) are normally on the drummer's left (audience right).

What is the best mic for cymbals? ›

Best overall: AKG C414 XLII

The latest model of a condenser microphone first introduced by AKG in 1971, the C414 XLII has a characteristically mellow and flat frequency response that flatters a wide range of sources from drums and cymbals to vocals and amplifiers.

What kind of mic for overhead drums? ›

Cardioid mics

They are best for overhead miking because you get a good representation of what is right in front of them, and they don't pick up sound from behind where you may not need it. Cardioid mics work best, and they don't need phantom power. There is no bleed from other instruments.

What is the best microphone for recording cymbals? ›

Best overall: AKG C414 XLII

The latest model of a condenser microphone first introduced by AKG in 1971, the C414 XLII has a characteristically mellow and flat frequency response that flatters a wide range of sources from drums and cymbals to vocals and amplifiers.

What mic to use for ride cymbal? ›

Often I'll put an SDC (schoeps, I've also had great results with a Royer 121 with the top of the mic pointing at the snare. Gets a smoother top and a little more of the 'body' of the cymbal. I'll hpf to get rid of the rumble and sometimes even lpf it (with the sdc, not the ribbon) so it doesn't stick out so much.

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